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Sautillante, Strasbourg, February 2013. I take the smile of her parents as an authorization to publish. Plus I had been freezing for so long, waiting for someone to show-up, that I couldn’t resist shooting this little girl jumping around. I realize that, for nocturne street photography, the 35mm has an edge over the 50mm because of its greater depth of field. It’s easier to have your subject in focus, even when it’s moving. This one is taken at f2, 1/30 sec and iso 1000 and I don’t think it could be “that” focused with a 50mm.

Sautillante, Strasbourg, February 2013. I take the smile of her parents as an authorization to publish. Plus I had been freezing for so long, waiting for someone to show-up, that I couldn’t resist shooting this little girl jumping around. I realize that, for nocturne street photography, the 35mm has an edge over the 50mm because of its greater depth of field. It’s easier to have your subject in focus, even when it’s moving. This one is taken at f2, 1/30 sec and iso 1000 and I don’t think it could be “that” focused with a 50mm.

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