The series is not complete, but I have at least 8 shot to show. It’s a break from my black and white nocturnes made possible by a bit of work on my editing skills. I’ve never been fond of the orange tones cast by tungsten city lights. I finally found a way to edit them out without losing the cold, urban, eerie feel I look after in my nocturnes.
A note for gearheads, two of those pics have been taken with a Leica M8, a supposedly outdated camera allegedly incapable of any decent night shot. I think the M8 is stilla good choice for someone wanting to give a go to a digital rangefinder without selling his kids. May be I’ll write a blog on that topic, because there are one or two things to know before buying one of those.
Magical Tree Redux, Strasbourg 2012.
And don’t forget to vote for me in the International Street Photography Awards. It’s the last day, I’m in the top ten but losing ground. Your support will be much appreciated. Warning, the Facebook like doesn’t count as a vote, you must sign up to be able to vote.
Among towers, Strasbourg, January 2013.
As some of you may have noticed, I’m working on a new “lightroom recipe” for my color night shots. I’ve tried real life tungsten-orange cast first, but I wasn’t convinced. So I’m now trying to figure out something more “urban”.
I’m rather pleased with the first results: they convey the sense of bizarre and the eerie mood I was looking after in my black and white series. And they are definitely colder and darker than the yellow-orange tones given by tungsten city lights.
And you, what do you think?
One of the two series I show saturday and sunday during RDVI a yearly photographic exhibition curated this year by Jane Evelyn Atwood.










